Sofia Stremlin-Adams

Maed

At five years old I had an impressive resume: aspiring coven leader, professional frog wrangler, and avid Michael Jackson fan. Absent from my curious resume was the ability to spell my own name. Even though I would be repeating kindergarten in the fall as a result of my creative spelling, I was in no hurry to uncover what seemed like an impossible cipher.

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Call for Submissions: MITA’s 2025-2026 Featured Writer Project

Madwomen in the Attic is seeking featured writers for The Featured Writer Project’s 2025-2026 writing year, which will begin in January 2025.

Open reading period: March 1 – June 30, 2024.

This is a non-competitive call for submissions, open to writers from any location across the globe; all who wish to be featured writers and who fulfill the submission guidelines will be included in this project and archive. MITA seeks to offer a space in which veteran writers write alongside novice writers as a form of literacy and advocacy to dismantle stigma and support gender-marginalized people affected by the mental health system, trauma, and stigma. The project features women and other gender-marginalized writers and artists who have been affected by the mental health system, psychiatric diagnostic or other mad-related stigmatizing labels, trauma, or forms of societal oppression that have been othering or alienating.

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Sanai Sudlow

The Role of Eroticism

Last year being called erotic would have been something I would run fast away from. The most exciting part is I do not know why. Maybe I would run in fear that I would be perceived as overly promiscuous. Perhaps I would run because that placed me in another alternative society category. Maybe I would just not want to be that kind of woman. Labeling myself as erotic, in the past, felt like throwing myself into a room of undesirable women and locking the door. I was terrified of being someone no longer desired by a specific demographic I unintentionally tried to remain desirable to. At the time, I didn’t know the world’s true meaning.

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Shahrzad Sajadi

Safe is Halfway Across the World

“Otaghet boo adam gerefte” (your room smells like human). This is a classic Ariana expression meaning your room is getting stuffy. Before I can sit up on the bed, she walks to the back of the bedroom and opens the room’s only tiny window. “And clean this mess, will you?” pointing to the bedroom floor. We go back and forth between English and Persian.

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Shouting Through the Walls: Memoirs of Psychiatric Incarceration

This workshop pilot invites people who have experienced involuntary institutionalization or had carceral experiences within psychiatry and the mental health system to participate in a series of four memoir-writing workshops on the subject of psychiatric incarceration. Historically, the bodies and voices of those who have experienced institutionalization have been restrained, contained, and silenced. During the workshop series, we will aim to make our voices heard through the proverbial and literal walls of the institution by shaping memoirs about psychiatric incarceration that aim to dismantle social stigma, pathologization, and criminalization by writing agenda-driven narratives that evoke understanding and empathy, in an effort to reclaim autonomy over our bodies and selves and amplify our voices.

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Jacquese Armstrong

In Walked Mania by Another Name… (and It wasn’t Bud)

     I always told myself, “If I could just finish college.” Then, “If I could just move.” And then finally, “If I could just find a job in my major and work.” The voices would stop then. But they didn’t. I finally had to admit to myself this was a for-real lifelong struggle. I wasn’t ready to handle that, and death was my contingency plan.

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Daaimah Lyon

Dear Abu

It’s a curious thing.  I don’t know why when I see photos of you I must fight the urge to cry.  First as a kid it was anger, then sadness, wondering why?  Now as a grown woman, it’s still sadness and tears.  As if my heart has been broken.  As if my heart has been ripped out of me.  As if there’s an emptiness inside, a void that’s never and will never be filled. 

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Bonnie Henderson Schell

That’s It

By Bonnie Henderson Schell

Strange things were happening to me, and I was scared. I knew that I had developed tardive dyskinesia and torticollis. The skin around my lips was chapped because my tongue hung out of my mouth, making a circle, licking my lips. I drooled all night on my pillow and down the front of my clothes. It was difficult not to walk to the left because lately my neck and body were painfully twisted in that direction so that the necklines of my sweaters and tunics fell off my left shoulder. I had stopped going to lunch with anyone and turned down phone calls using Facetime. I avoided the mirror over the sink.

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