Mothers of MITA
Madwomen in the Attic was founded in 2017 by two sisters, Jessica Lowell Mason and Melissa Bennett. Both Melissa and Jessica are mothers, and their intention in starting MITA was to serve and empower girls and women, hold up a loudspeaker to the voices of those who have been silenced, and advocate for social change. MITA is a completely voluntary and non-monetarily-compensatory labor of love that continues the grassroots resistance against patriarchal, imperialistic coercive psychiatric practices, as inspired by the work and life of Virginia Woolf.
Jessica Lowell Mason, M.A., is a mother, a writer, an educator, a performer, a psychiatric industry survivor, an outspoken social justice activist, and an advocate for women and girls. She is devoted to speaking and writing about women’s mental health issues, and to empowering women, while also working for mental health reform via literacy and advocacy efforts. Jessica has a master’s degree in English from Western Illinois University, and was awarded the Gloria Anzaldúa Rhetorician Award by the Conference on College Composition and Communication in 2014. Her poems, articles, and reviews have appeared in a number of publications, including The Comstock Review, Lambda Literary, Gender Focus, Sinister Wisdom, Lavender Review, Diverse Voices Quarterly, Wilde Magazine, and The Feminist Wire. Her research interests, evident in her master’s thesis, center on identity and language, with a focus on linguistic subversive practices: particularly, the ways in which women writers resist, subvert, and challenge imperialistic normativity by writing against the grain and dismantling the patriarchal narrative. She started MITA with her sister after undergoing a severely traumatic situation at a state mental hospital, but sees MITA as an extension of her academic research and lifelong commitment to social justice, and she hopes that, in time and through the efforts of MITA and other similarly-humanistic organizations, nationally and globally there will be a recognition of the human rights of neurodivergent people and an end to the era of violence and human rights violations perpetuated by the psychiatric and pharmacological industries. Jessica turned her academic work into activism and advocacy, and plans to continue the tradition of bridging theory and practice in August, when she will begin the PhD program in Global Gender and Sexuality Studies at the University at Buffalo.
Melissa Bennett, M.Ed., is a mother, an athlete, a coach, and a teacher in the Western New York area. She graduated from SUNY Geneseo in 2007 with a degree in childhood education and earned her master’s degree in education, with a specialization in literacy in 2010. She enjoys yoga, reading, sports, and time with her daughter and family. Melissa was driven to create MITA as a result of seeing her sister/best friend suffer the effects of the mental health system in Erie County and observing the maltreatment of mental health patients by staff members, nurses, and doctors. She hopes that MITA will offer support to those who have suffered trauma as a result of being in the system, raise awareness about patient rights, and lessen the stigma associated with mental health issues.
The Mother of Mad Pride: Virginia Woolf
As many consider Sigmund Freud the “father of psychology” for his invention of and contributions to the development of psychoanalysis, which has advanced the rise to credibility and power of the fields of psychiatry, psychology, and psychotherapy; we at MITA consider Virginia Woolf the Mother of Mad Pride for her invention and development of the stream of consciousness narrative style, which poses a challenge to the prescriptive tendencies to categorize according to binaries, diagnose, pathologize, or police the contents of one’s mind. Virginia Woolf, the Mother of Mad Pride, was diagnosed with various conditions and illnesses throughout her life, and was said to experience hallucinations. What has been said less of these experiences is the way in which narratives of them, and her legacy in the popular imagination, has been shaped by the patriarchal narrative in which her complexity is misunderstood and mislabeled by those whose misogynistic voices have been permitted to prevail over her own. Madwomen in the Attic is a stream of Woolf’s narrative consciousness that has materialized as a grassroots feminist organization.