Alison Turner

Temporary Safety

  1.  

“Look at me,” you say, holding out your hands. We are separated by a desk with a high ledge that you put your elbows on before the person in front of you can move her purse. Your hands are swollen and a darker shade from exposure, darkest under the nails. “I need to shower, but they wouldn’t let me yesterday. Look.”

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December Letters Project ~ 2023 Call for OWLS

It’s that time of year: December Letters Project preparation time!

We invite you and/or your families, clubs, organizations, schools, and communities to be part of MITA’s annual December Letters Project. This is MITA’s annual local literacy project, but we encourage others to run a December Letters Project in their local communities. The project’s goal is very simple: to send connection, support, and solidarity –in the form of cards and letters– to our neighbors who are in psychiatric institutions during the winter solstice! We do this by making secular but festive cards and letters, with messages of love and encouragement, during the months of November and December, and delivering them to local psychiatric hospitals at the end of December, on or near the solstice. November is the month to prepare for the project, so we invite you to join us in being part of our December Letters Project or to hold a project in your community.

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Shahrzad Sajadi

Safe is Halfway Across the World

“Otaghet boo adam gerefte” (your room smells like human). This is a classic Ariana expression meaning your room is getting stuffy. Before I can sit up on the bed, she walks to the back of the bedroom and opens the room’s only tiny window. “And clean this mess, will you?” pointing to the bedroom floor. We go back and forth between English and Persian.

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Angelina Tang

Art to the Senses

                  Huà ěr meets her at the corner store.

                  She hadn’t intended it, of course. She’d wished only to pick up dinner after work, absentmindedly enjoying the crinkle of saturated, plastic packaging under her fingers. But she is accustomed to the little pains of the world, to catching and picking out injustices; she cannot help but catch the rise of harsh, male voices crowding around the corner of the store, a writhing mass of dissonance that leaves the taste of rubber on her furu-soft tongue.

                  She does not understand the words, and yet the wiry inflections, as flimsy and prickly as the cheap shelves the goods stand upon, make the message clear. Huà ěr would turn tail and run if a man spoke to her with such mocking, such jeering contempt.

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Shouting Through the Walls: Memoirs of Psychiatric Incarceration

This workshop pilot invites people who have experienced involuntary institutionalization or had carceral experiences within psychiatry and the mental health system to participate in a series of four memoir-writing workshops on the subject of psychiatric incarceration. Historically, the bodies and voices of those who have experienced institutionalization have been restrained, contained, and silenced. During the workshop series, we will aim to make our voices heard through the proverbial and literal walls of the institution by shaping memoirs about psychiatric incarceration that aim to dismantle social stigma, pathologization, and criminalization by writing agenda-driven narratives that evoke understanding and empathy, in an effort to reclaim autonomy over our bodies and selves and amplify our voices.

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Patricia Del Rosario

Boxing Fight

The opposing fighter was tall and long, at least for a 141 lb. I thought cutting the 15 pounds this past week would give me an advantage making me bigger than my opponent, but this guy was much bigger than I had anticipated. I took a deep breath in. My head felt light. Cutting that weight had taken its toll but there was no turning back. My opponent was in front of me, and I had no choice but to vanquish them.

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The Building Keeps The Score: On The Richardson Hotel

The Building Keeps the Score: Toward Asylum-Occupancy and a More Purposeful Haunting of Buffalo’s Psychiatric Spaces

The following is an essay written by Jessica Lowell Mason, originally published in SUNY Buffalo Romance Studies Journal, Vol. 5, Issue 2, December 2020, reprinted here for greater readerly access in the hopes that those who are designing the Richardson Hotel, which will replace the former Hotel Henry, will proceed with greater sensitivity to the history attached to the building in which their hotel will operate. If this subject interests you, the following article may also be of interest to you: “Hotel Henry and the Line Between Restoration and Trivialization.”

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