Angelina Tang

Art to the Senses

                  Huà ěr meets her at the corner store.

                  She hadn’t intended it, of course. She’d wished only to pick up dinner after work, absentmindedly enjoying the crinkle of saturated, plastic packaging under her fingers. But she is accustomed to the little pains of the world, to catching and picking out injustices; she cannot help but catch the rise of harsh, male voices crowding around the corner of the store, a writhing mass of dissonance that leaves the taste of rubber on her furu-soft tongue.

                  She does not understand the words, and yet the wiry inflections, as flimsy and prickly as the cheap shelves the goods stand upon, make the message clear. Huà ěr would turn tail and run if a man spoke to her with such mocking, such jeering contempt.

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Mad Feminist Activism in the Global Feminist Movement

A Mad Feminist Dialogue for a Mad Archive: “Mad Feminist Activism in the Global Feminist Movement: A Dialogue on and of Dissent”

This event was part of the 7th Biennial Seneca Falls Dialogues, in 2020, hosted by the Women’s Institute for Leadership and Learning. The dialogue brought together mad activists and scholars to discuss old and new directions in Mad feminist activism and to consider mad activism’s role in a larger feminist agenda. It will also touched on the rights and positionality of women, Black and Indigenous People of Color, and LGBTQ+ folx living with psychiatric labels or who have had psychiatric experiences, and those fighting for their rights from unique locations within larger social justice efforts. The dialogue considered non-normative activism and elicited discourse on what mad feminist activism has been and is becoming, considering the ways that mad feminist activism has dealt with and deals with identity, erased histories, and contested activist and advocacy tendencies and trajectories. By exchanging ideas and sharing experiences on mad feminist activism, our hope was that our dialogue would serve as a moment of mad grassroots organizing.

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Bonnie Henderson Schell

That’s It

By Bonnie Henderson Schell

Strange things were happening to me, and I was scared. I knew that I had developed tardive dyskinesia and torticollis. The skin around my lips was chapped because my tongue hung out of my mouth, making a circle, licking my lips. I drooled all night on my pillow and down the front of my clothes. It was difficult not to walk to the left because lately my neck and body were painfully twisted in that direction so that the necklines of my sweaters and tunics fell off my left shoulder. I had stopped going to lunch with anyone and turned down phone calls using Facetime. I avoided the mirror over the sink.

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Madwomen in Social Justice Movements, Literatures, and Art

Madwomen in the Attic is excited about the publication of “Madwomen in Social Justice Movements, Literatures, and Art,” forthcoming from Vernon Press (2022). One of its editors is MITA co-founder Jessica Lowell Mason and its other editor is MITA member and featured writer, Nicole Crevar.

There is certainly a need for more books on madness and mental healthcare written by and for people whose bodies and life trajectories have been directly affected by mental healthcare systems and practices, and this is one book that affirms Mad people and people affected by the mental health systems as knowers and producers of historical, theoretical, social, creative, and other knowledges on the subjects of consciousness, the mind, madness, mental health, and psychic and bodily existence.

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Glynnis Reed-Conway

“Why Do We Whisper Our Stories?”: Disability Frameworks and Multiply Marginalized Subjects 

I start this essay with the question posed by Jennifer Eisenhauer (2010) in their article “Writing Dora: Creating Community Through Autobiographical Zines about Mental Illness”: Why do we whisper our stories? They propose this question in response to a student with a mental health disability who approached Eisenhauer after class, speaking of her hospitalization in hushed tones. Those hushed tones address the shame, invisibility, and silence suffered by neurodivergent people in the quiet, in the dark, in the back, unseen, and rarely heard in their own voices. I begin my writing with this quote because my own silences about my personal experiences as a neurodivergent person have come to their limit and I am now in the place where I choose to speak louder, to articulate more of my truth. Why do we whisper our stories? Because we are shamed by the normative, ablebodied world to the madnesses we inhabit. 

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Call for Featured Writers for the 2022 – 2023 Year

Madwomen in the Attic is seeking featured writers for The Featured Writer Project’s 2022-2023 writing year, which will begin in January 2022.

Open reading period: August – October 31, 2021. We feature women and gender-non-conforming writers and artists.

This is a non-competitive call for submissions, open to writers from any location across the globe; all who wish to be featured writers and who fulfill the submission guidelines will be included in this project and archive.

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