Arianna Taylor

Mary

I stopped believing in Omma’s God the day she covered herself in plastic wrap. When I was younger, Dad used to pick me up from middle school around three in the afternoon, his poorly hidden shooter bottles laying across the floor of the backseat. His breath was hot and his cadence mean—I did not talk to Dad, then. We only yelled. Screamed loud enough until one of us cried—who would break first? Me, knowing this, and him, desperate to drink, would both coalesce rather simply to the idea of dropping me off at Omma’s after school, leaving him to do God knows what with the drug dealers that lived further down on Fulton. Just seven houses down and he’d get his fix. Only had to figure out what to do with me, first. The only issue was that Omma, at that time, had fallen quite far off of the wagon. In fact, I recall thinking that a wagon wasn’t high enough. That it would make more sense to say she fell off a very high trampoline, or a cliffside, perhaps a telephone pole or even heaven. Gracefulness never had less of a place than with her during my sixth, seventh and eighth grade school years.

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Sara Hobler

The following poems are from Sara Hobler’s poetry collection, E=MC^2.

Holy Lunch

Chief complaints are boredom and back pain

And Hunger, puts the body under a strain

Hungry makes arthritis hard to ignore

They weren’t lying when they said it keeps the score of your life and mentality

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Sofia Stremlin-Adams

Maed

At five years old I had an impressive resume: aspiring coven leader, professional frog wrangler, and avid Michael Jackson fan. Absent from my curious resume was the ability to spell my own name. Even though I would be repeating kindergarten in the fall as a result of my creative spelling, I was in no hurry to uncover what seemed like an impossible cipher.

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Call for Submissions: MITA’s 2025-2026 Featured Writer Project

Madwomen in the Attic is seeking featured writers for The Featured Writer Project’s 2025-2026 writing year, which will begin in January 2025.

Open reading period: March 1 – June 30, 2024.

This is a non-competitive call for submissions, open to writers from any location across the globe; all who wish to be featured writers and who fulfill the submission guidelines will be included in this project and archive. MITA seeks to offer a space in which veteran writers write alongside novice writers as a form of literacy and advocacy to dismantle stigma and support gender-marginalized people affected by the mental health system, trauma, and stigma. The project features women and other gender-marginalized writers and artists who have been affected by the mental health system, psychiatric diagnostic or other mad-related stigmatizing labels, trauma, or forms of societal oppression that have been othering or alienating.

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Sanai Sudlow

The Role of Eroticism

Last year being called erotic would have been something I would run fast away from. The most exciting part is I do not know why. Maybe I would run in fear that I would be perceived as overly promiscuous. Perhaps I would run because that placed me in another alternative society category. Maybe I would just not want to be that kind of woman. Labeling myself as erotic, in the past, felt like throwing myself into a room of undesirable women and locking the door. I was terrified of being someone no longer desired by a specific demographic I unintentionally tried to remain desirable to. At the time, I didn’t know the world’s true meaning.

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Shahrzad Sajadi

Safe is Halfway Across the World

“Otaghet boo adam gerefte” (your room smells like human). This is a classic Ariana expression meaning your room is getting stuffy. Before I can sit up on the bed, she walks to the back of the bedroom and opens the room’s only tiny window. “And clean this mess, will you?” pointing to the bedroom floor. We go back and forth between English and Persian.

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Shouting Through the Walls: Memoirs of Psychiatric Incarceration

This workshop pilot invites people who have experienced involuntary institutionalization or had carceral experiences within psychiatry and the mental health system to participate in a series of four memoir-writing workshops on the subject of psychiatric incarceration. Historically, the bodies and voices of those who have experienced institutionalization have been restrained, contained, and silenced. During the workshop series, we will aim to make our voices heard through the proverbial and literal walls of the institution by shaping memoirs about psychiatric incarceration that aim to dismantle social stigma, pathologization, and criminalization by writing agenda-driven narratives that evoke understanding and empathy, in an effort to reclaim autonomy over our bodies and selves and amplify our voices.

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